7th June 2012
I’ve already posted this on my Facebook and Twitter, but here are the final two videos. Truth be told, they are probably the ones I’m least happy about, but I’m still happy. Hope you enjoy! There is one more bonus video to come. And also, if you want to check out How Great Is Our God in better quality, the Vimeo video is now online, check out my channel. I will upload up here tomorrow.
Shout To The Lord
Mighty To Save
Video Filmed at Holy Trinity Church, Wester Hailes, Edinburgh on Friday 27th January, 2012.
Video Filmed by Jelizaveta Burhanova, Chris Gillies & Molly Gibney.
Video Edited by Jelizaveta Burhanova.
Drums Engineered by Michal Jankowski & James Parnell. Mixed by Michal Jankowski.
Backing Track Engineered & Mixed by Frazer Knox.
Backing Track Musicians:
Steph Macleod (vocals & acoustic guitar)
Mark Cameron (electric guitar)
Peter Crockett (piano)
Dave Biddulph (bass guitar)
Brian Macleod (percussion).
9th May 2012
Bethel Church in Redding, California is one of these Churches that seems to rack up a lot of attention. This is due to the fact that Signs, Wonders & Miracles regularly take place and that it is part of the growing charismatic trend amongst many Churches in both the USA and UK. Well, so it seems. But along with that comes criticism. Do they place these gifts above giver? What about the gospel message? What about Bible teaching? What about repentance? YouTube clips can be so devious at times, that good and bad Churches and ministries can be criticised so harshly. Here’s what associate Pastor Kris Vallotton had to say.
There have been many things written about Bethel Church and the movement that we have had the privilege of being a part of for more than three decades.
30th March 2012
1) As a music reviewer, how do you think Contemporary Worship Music has changed over the past number of years?
I’m not sure there’s been a truly significant change in the essence of popular worship music in the past decade or so, to be honest. Pop/rock praise anthems, with punchy hook lines and congregationally singable choruses have been very much the order of the day in modern worship music for many years now, and that’s still the same today. British worship writers/musicians like Matt Redman and Tim Hughes remain hugely popular both sides of the Atlantic, as do American dudes like Chris Tomlin and David Crowder. What changes over time is the number of new names in worship that are cropping up – the market is saturated with worship albums and mp3s, and so much of it is really good. My only issue is there’s often not much variability – much contemporary worship music sticks to a very similar, indistinct format.
I am impressed, though, with a number of fresh sounds in worship that are cropping up from time to time. I’m thinking, for example of that Northern Irish team, The Rend Collective Experiment. or that energetic group from Colorado, known as Gungor and led my Michael Gungor. Or the original, rootsy sound of Australian four-piece Sons Of Korah, who have yet to become widely recognised, but who’s impressive output focuses almost exclusively on the Psalms, into which biblical pieces they breathe wonderfully fresh and inspirational life.
2) You mentioned in Cross Rhythms that two of your all time favourites ‘Back Home’ by Caedmon’s Call and ‘Myself When I Am Real’ by Bebo Norman, is that still the case or have you changed from that?
I’m listening to Caedmon’s Call right now as I write – their Chronicles album! Love that group. their combination of folk and rock with catchy melodies and great harmonies really appeals to me. And yeh, I still think Bebo Norman is great too. His songwriting skills are first-rate; in terms of both lyrical content, which is rich in spiritual depth, and in catchy hook-lines, which stay with you. He has a great voice, too. Among other favourites, I’d include the above-mentioned Sons Of Korah, Jadon Lavik and Canadian Steve Bell. Actually, one of the most beautiful, Spirit-led worship albums I know of is a very early recording by Rita Springer called ‘Love Covers’. It’s out of print these days, and very hard to come by, but the album contains a whole string of the most spiritually-sensitive piano-led worship songs I’ve ever heard. Love listening to that album (or I would do, if only my friend would return it to me!). Another worship beauty is ‘Divine Whisper’ by former Vineyard worship leader (now based in Seoul, South Korea), Scott Brenner. Gentle songs of adoration – utterly heaven-inspired. And then there’s Misty Edwards, one of Kansas City IHOP’s worship musicians. Her album ‘Relentless’ is powerful, prophetic and wonderfully engaging.
3) Any up and coming acts you think are ones to watch, or any good albums from old favourites (g.Stuart Townend, Graham Kendrick)?
Loads of up and coming musicians out there who are worth watching for, including some already mentioned above. One guy who’s been making a big mark on the Scottish music scene is Steph Macleod. Now well-know in his native land, but still undiscovered by many, Steph’s distinctly bluesy vocals and impressive songs are most noteworthy. Or how about Dutch worship musician, Kees Kraayenoord, almost completely unkown in the UK – his album ‘Speak The Word’s is full of ear-catching p&w sounds. Or again, Drew Holcomb and the Neighbors.
You mention Graham Kendrick. Some of his output in the last ten or fifteen years has been excellent. He kinda went through a period in the late 80s and 90s when his music wasn’t too exciting. But then came ‘What Grace’ – with guest appearances from ‘youngsters’ Martin Smith and Matt Redman. A gorgeous album of diverse worship sounds. He’s done the same thing more recently with ‘Banquet released in 2011. Remarkably it’s his 30th album to date – which makes it all the more impressive that it sounds so fresh and interesting from start to finish. Another worship veteran, Robin Mark’s most recent recording ‘Fly’ is also worth checking out
30th November 2011
If worship leaders only worship when they lead, they are not worshippers. They are mere musicians. – taken from Bill Johnson’s Facebook page.