22nd April 2016
Thank you to all who enjoyed the article on Ringo Starr. Here’s the 2nd drummer in this 4-part feature – Steve Jordan.
Steve Jordan is definitely one of my favourite drummers. I actually did a full-on book project on him when I was at University. I think its so important to find out about new drummers and develop an interest in those whom we enjoy listening to. It really helps us as drummers become better listeners, better players, and also helps us to play with a band more effectively. In short, we mature as musicians. So without further ado, here’s a bit about Steve, why I think his contribution to music over the past 30 years is significant, and also some wisdom in the form of comments from the man himself as well as a few groove transcriptions.
Steve Jordan was born on January 14th, 1957 in New York. After studying as a classical percussionist at the famous LaGuardia High School of Music & Art in NYC, Steve Jordan launched a legendary career in rock, collaborating with artists such as Keith Richards, Don Henley, John Mayer, The Pretenders, Neil Young, Bruce Springsteen, John Spencer Blues Explosion, Bob Dylan and Alicia Keys. As a Grammy Award-winning record producer, his inspired presence and craft have raised the standard. Steve Jordan is well known as a multi-instrumentalist, musical director, producer and a writer of exceptional quality. In addition to his late 70’s / early 80’s tenure with Saturday Night Live and Late Night with David Letterman, Steve has been one of the most in demand session drummers in the world. He has recorded and toured with such artists as The Rolling Stones, James Taylor, Bob Dylan, BB King, Stevie Nicks, Sheryl Crow and many more. Steve has evolved into a Grammy Award winning producer with Robert Crays’ album ‘Take Your Shoes Off’ and the nominated ‘Bring ‘Em In’ by Buddy Guy. While he has played on countless hits, from Alicia Keys ‘If I Ain’t Got You’ to Bruce Springsteen’s ‘Devils and Dust’, and he continues to produce with such works as the John Mayer Trio album ‘Try!’, the John Mayer album ‘Continuum’, John Scofield’s ‘That’s What I Say,’ ‘Possiblilties’ by Herbie Hancock, among many others. As a musical director, Steve has worked on such high profile projects as Superbowl XXXX, the Martin Scorsese/Antoine Fuqua film ‘Lightning in a Bottle’ and the Kennedy Center Honors.
Steve Jordan is one of the most influential and sought after session drummers in the world. He has accomplished more in his drumming career than he ever could have imagined. Steve isn’t known in the music industry for playing the hardest licks ever known to the human mind, or for the technical skills that would make even the late, great Buddy Rich squirm (although he has great technique and soloing ability!). What Steve Jordan is best known for is making the drums sound good in any musical situation. He can take a simple beat and make it sound great. He can take a more complicated beat and make it sound so fluid and simple. He has taken his drumming beyond technique, having studied formally, and found his own sound, making the music the best it can be on each record he appears on. He has taken his influences, from Kenny Clarke to Carlton Barrett to David Garibaldi to Steve Gadd, and formed his own unique voice, and continues to inspire countless drummers today. Steve Jordan is one of my favourite drummers ever, and has made an amazing mark on the music industry.
Some Steve quotes:
“Every building has a strong foundation. When you’re building a rhythm track, you have to provide the foundation. The drummer has to be strong and solid.”
(The Groove Is Here DVD, 2002)
“When drummers practice with time, they usually practice with a metronome. That’s fine except a key ingredient to the secret of timekeeping is overlooked. I realise that in drumming you start the note but don’t stop it. That opened me up to a whole new world for me. You need to know the full length of a quarter note.”
On the subject of groove in an interview with Modern Drummer magazine: “That’s why people play so much stuff, because they can’t play a steady beat. But when you get into playing a steady groove and you can hypnotize somebody with that beat, that’s the bomb. And it takes confidence to know you can do that and not care what anybody says. People might think you don’t play fills because you can’t, but you have to do away with all that. They’ll feel it when it’s good” (Modern Drummer October 2010).
“Simplicity is not stupidity. Just because some- thing sounds good in your mind doesn’t mean that it’s dumb.”
“WHO DID YOU THINK I WAS” by John Mayer Trio (from the record ‘Try!’)
9th May 2014
Steve Gadd is one of my favourite drummers of all time. Actually, one of my favourite musicians of all time. Steve changed the way drums were played. Of course, many before him led the way: Buddy Rich with his technical and musical brilliance, Louie Bellson and Gene Krupa swinging the big bands, Max Roach’s melodic philosophy, Roy Haynes snap, crackle and pop, Elvin Jones polyrhythmic phrases etc etc. The list could and should go on. But back to Gadd. He is a one-off. He is a pocket master. His individual style saw him being elevated as a drummer and emulated. He took marching band rudiments and made them groove in rock, pop jazz, funk, fusion, big band, latin and more. He played musically and thought only to enhance the music. He never over-played or missed a beat. He always meant what he executed. He could totally beast his chops with artists like Steely Dan and Michel Petrucciani. He could just lay back and swing playing crotchets and you would still recognise his sound. He could groove on his Yamaha drums and you would recognise the tone and the way he hit them. He influenced countless drummers and raised the bar with how drums should sound and support the band.
For this first article in a series before my videos go up online I would like to highlight Steve Gadd, one of the most important drummers of all time.
10th March 2014
Drum Solos – A Short Story
The following is a short story about my own experience of drum soloing. I’ve watched many great drummers play drum solos, from my first experience of watching Keith Moon smashing a drum kit to pieces in ‘My Generation’ to the many drum instructional DVDs that are out there today and I’ve collected, there have been a lot of influences of mine who have inspired me to get creative behind the drums. I’ve seen many drum solos on which I’ve just been amazed by the drummers technique, finesse, charisma and control behind their instrument. First, Travis Barker and Tre Cool (as pop-punk was at its peak in the early 2000s), then Bonham and Moon took control of my mind as I turned to The Who and Led Zeppelinto inspire me. Next it was Rush and the creative beats of one Neil Peart, and then, as I started taking drum lessons at the age of 16, my tutor introduced me to four guys : Tony Williams, Steve Gadd, Vinnie Colaiuta and Dave Weckl. The research then began as I found out about Buddy Rich, Billy Cobham, Thomas Lang, Steve Smith and many more drummers. Drummerworld.com hadn’t long been on the go and I was glued to it.
2nd July 2012
This video has been up for a few weeks now on YouTube but I haven’t actually posted it via my website. So here it is, my final video…a drum solo. As I said on the YouTube notes, it was literally me blowing all my frustrations from two days filming as it was the very last thing that was filmed. Coming up later on in the week will be two new tracks on my SoundCloud channel, so keep posted for that.
28th May 2012
And the third video, Matt Redman’s ‘Blessed Be Your Name.’ Keep posted for a review here of his latest album ‘10,000 Reasons’ and his new book ‘Mirror Ball’ over the next couple of weeks.
Blessed Be Your Name
Video Filmed at Holy Trinity Church, Wester Hailes, Edinburgh on Friday 27th January, 2012.
Video Filmed by Jelizaveta Burhanova, Chris Gillies & Molly Gibney.
Video Edited by Jelizaveta Burhanova.
Drums Engineered by Michal Jankowski & James Parnell. Mixed by Michal Jankowski.
Backing Track Engineered & Mixed by Frazer Knox.
Backing Track Musicians:
Steph Macleod (vocals & acoustic guitar)
Mark Cameron (electric guitar)
Peter Crockett (piano)
Dave Biddulph (bass guitar)
Brian Macleod (percussion).
Backing Track Musicians:
Bethany Young (vocals & acoustic guitar)
Mark Cameron (electric guitar)
Peter Crockett (piano)
Philip Martin (bass guitar)
Brian Macleod (percussion).
11th May 2012
This is a continuation of a series of things that have inspired me to be a better musician. The next thing I would like to speak well of is Modern Drummer Magazine. I have to unashamedly admit that I’m a bit of a magazine geek. I always have been. I loved trying to create my own sort of magazines as a youngster and still have a big collection of football magazines. In February 2004 I bought my first issue of Modern Drummer. It was one of the first times I had ever seen a drum magazine, I didn’t really think they existed. And, for one to be in a newsagent in Stornoway, I was taken with it. To go with that, Travis Barker, my favourite drummer at the time was on the cover. I have since collected every issue (just about). And with that I have learnt a lot about drummers, music, general concepts and tips, sight reading as well as interviews with today’s top pros and how they work in the industry. In short, I think Modern Drummer has influenced countless drummers across its history. I also have one of the book’s they published for their 30th anniversary (titled “The Drummer”) and some special editions (“Drum Gods I & II”). All in all, it continually inspires me month after month and I look forward to every issue. Call me a geek or whatever, but Modern Drummer has inspired me in so many ways and continues to do so.
Here is an article from the website, showing just one of the many good points of MD.
21st February 2012
This is a classic drum battle video on YouTube of Buddy Rich and Gene Krupa from the Sammy Davis Jr Show in 1966. Here we see two of the greatest and most influential drummers of all time. Krupa, a man who almost single-handedly brought the drums to worldwide attention, and Rich, whose technique and musicianship has reached new boundaries, many of them still un-touched. By this time Buddy had just formed his own Big Band and was about to release it’s debut album, ‘Swinging New Band,’ and was arguably in the prime of his playing. Krupa on the other hand, had struggled with alcoholism and drugs and was looking old and sluggish. Nevertheless, this is a classic video, and these are two drummers who have shaped the way we play drums today. Check out their material.
[youtube_sc url=”BZ5B7yqDYbA” width=”670″ height=”377″]
Some examples of their playing:
The Drum Battle – Gene Krupa and Buddy Rich
Swinging New Band – Buddy Rich
Big Swing Face – Buddy Rich
Sing, Sing, Sing – Gene Krupa (Benny Goodman)