29th August 2016
And the 4th video from the EP – ‘Where The River Flows’. Here’s what the co-writer, my good friend Pete Crockett said about the song:
Here’s a song that myself and Allan McKinlay have written as a prophetic declaration for Scotland & Glasgow –
Bit about the track:
In the study of the Celtic saints I was struck by the prayer of Saint Mungo to the river community of the Glas-Cu “Let Glasgow flourish by the preaching of his word and the praising of his name”. Where the river flows is a transposition of Ezekiel 47 v9 “And wherever the river goes, every living creature that swarms will live”, and Revelation 22 It is designed as an inculturation of the divine river of life of the temple of heaven in Revelation, and the Clyde. Water metaphors are frequent throughout scripture, and are frequently associated with the giving of life, the choice of words in the verse is a further inculturation;
God’s word will pour out like a river,
streams of living water, flowing from his throne.
Clean and pure as highland water,
pouring down from heaven, nourishing the earth.
As a subtle reference to Scotland, clean and pure as highland water, is both generic as ‘high-lands’ are not geographically specific, yet the highlands within a Scottish contextual playing will be presumed to be the Scottish Highlands. This is continued in the bridge where the repeated line everything shall live is accented with:
…In the highlands
…In the lowlands
…In the islands
Musically there is: a jig at the dynamic climax, ‘tribal’ drumming, blends of acoustic and electric drums, and clarsach & rhodes electric piano. It concludes with the clarsach and voices
8th August 2016
Here’s the 3rd video from the Scottish Worship EP: ‘Give Thanks To God’. This is like a traditional metrical Psalm with a call and response from the leader and the congregation. Here’s what Pete Crockett, who co-wrote this song with Allan McKinlay, said about it:
Here’s a song myself and Allan have written based on psalm 136 and is intended to be a modern liturgical metric psalm.
I have used this form recently for prayer meetings where this liturgical form works well with the leader, or someone else singing/speaking a prayer and everyone else responding e.g.
Lord you have been so good to me
All – His never ending love is steadfast and sure
Where would I be Lord without you
All – Give thanks to God for he is good
It works completely acapella or with instruments
written by Allan McKinlay & Pete Crockett
1st July 2016
This is a wonderful prophetic song co-written called ‘Open The Doors’ by Allan McKinlay and Pete Crockett from the recent release, ‘Scottish Worship EP.’ Hope you enjoy the drum section at 2:15!
6th June 2016
I really hope you enjoy this Scottish ceilidh ‘anthem’ – ‘I Wanna Know You’ – the first of 5 videos from the recent release ‘Scottish Worship EP‘! This was such great fun to play! Co-Written by Allan McKinlay and Pete Crockett.
22nd April 2016
Thank you to all who enjoyed the article on Ringo Starr. Here’s the 2nd drummer in this 4-part feature – Steve Jordan.
Steve Jordan is definitely one of my favourite drummers. I actually did a full-on book project on him when I was at University. I think its so important to find out about new drummers and develop an interest in those whom we enjoy listening to. It really helps us as drummers become better listeners, better players, and also helps us to play with a band more effectively. In short, we mature as musicians. So without further ado, here’s a bit about Steve, why I think his contribution to music over the past 30 years is significant, and also some wisdom in the form of comments from the man himself as well as a few groove transcriptions.
Steve Jordan was born on January 14th, 1957 in New York. After studying as a classical percussionist at the famous LaGuardia High School of Music & Art in NYC, Steve Jordan launched a legendary career in rock, collaborating with artists such as Keith Richards, Don Henley, John Mayer, The Pretenders, Neil Young, Bruce Springsteen, John Spencer Blues Explosion, Bob Dylan and Alicia Keys. As a Grammy Award-winning record producer, his inspired presence and craft have raised the standard. Steve Jordan is well known as a multi-instrumentalist, musical director, producer and a writer of exceptional quality. In addition to his late 70’s / early 80’s tenure with Saturday Night Live and Late Night with David Letterman, Steve has been one of the most in demand session drummers in the world. He has recorded and toured with such artists as The Rolling Stones, James Taylor, Bob Dylan, BB King, Stevie Nicks, Sheryl Crow and many more. Steve has evolved into a Grammy Award winning producer with Robert Crays’ album ‘Take Your Shoes Off’ and the nominated ‘Bring ‘Em In’ by Buddy Guy. While he has played on countless hits, from Alicia Keys ‘If I Ain’t Got You’ to Bruce Springsteen’s ‘Devils and Dust’, and he continues to produce with such works as the John Mayer Trio album ‘Try!’, the John Mayer album ‘Continuum’, John Scofield’s ‘That’s What I Say,’ ‘Possiblilties’ by Herbie Hancock, among many others. As a musical director, Steve has worked on such high profile projects as Superbowl XXXX, the Martin Scorsese/Antoine Fuqua film ‘Lightning in a Bottle’ and the Kennedy Center Honors.
Steve Jordan is one of the most influential and sought after session drummers in the world. He has accomplished more in his drumming career than he ever could have imagined. Steve isn’t known in the music industry for playing the hardest licks ever known to the human mind, or for the technical skills that would make even the late, great Buddy Rich squirm (although he has great technique and soloing ability!). What Steve Jordan is best known for is making the drums sound good in any musical situation. He can take a simple beat and make it sound great. He can take a more complicated beat and make it sound so fluid and simple. He has taken his drumming beyond technique, having studied formally, and found his own sound, making the music the best it can be on each record he appears on. He has taken his influences, from Kenny Clarke to Carlton Barrett to David Garibaldi to Steve Gadd, and formed his own unique voice, and continues to inspire countless drummers today. Steve Jordan is one of my favourite drummers ever, and has made an amazing mark on the music industry.
Some Steve quotes:
“Every building has a strong foundation. When you’re building a rhythm track, you have to provide the foundation. The drummer has to be strong and solid.”
(The Groove Is Here DVD, 2002)
“When drummers practice with time, they usually practice with a metronome. That’s fine except a key ingredient to the secret of timekeeping is overlooked. I realise that in drumming you start the note but don’t stop it. That opened me up to a whole new world for me. You need to know the full length of a quarter note.”
On the subject of groove in an interview with Modern Drummer magazine: “That’s why people play so much stuff, because they can’t play a steady beat. But when you get into playing a steady groove and you can hypnotize somebody with that beat, that’s the bomb. And it takes confidence to know you can do that and not care what anybody says. People might think you don’t play fills because you can’t, but you have to do away with all that. They’ll feel it when it’s good” (Modern Drummer October 2010).
“Simplicity is not stupidity. Just because some- thing sounds good in your mind doesn’t mean that it’s dumb.”
“WHO DID YOU THINK I WAS” by John Mayer Trio (from the record ‘Try!’)
14th April 2016
The New Scottish Hymns Band are releasing a new album on May 19th, 2016, and touring throughout May and June. This will be a great tour featuring wonderful new hymns written by Greg deBlieck. The band features Ellyn Oliver on vocals, Greg deBlieck on acoustic guitar and vocals (Greg is also the bandleader and will be sharing the stories behind the songs throughout the tour), Pete Crockett on keys, Gus Stirrat on bass, Richard Kennedy on drums (I will be playing kit for the dates Richard can’t do) and myself on percussion for some dates. Danny Robinson will be doing the live sound for each event. Really looking forward to being a part of this exciting tour and all the great Christian music currently coming out of Scotland!
20th February 2016
***NEW BLOG SERIES: DRUM LEGENDS*** (VOL.1 – Ringo Starr, Steve Gadd, Neil Peart, Steve Jordan)
RINGO STARR IS ONE OF THE GREATEST DRUMMERS OF ALL TIME…not a sentence you hear all that much. But it is definitely one I am going to use here. In terms of technique – the statement is not true. In terms of natural talent – no. In terms of skill – no. In terms of reading music – no. Etc etc…you get my drift. But in terms of playing the right beat for the song, in terms of knowing what to play and when to play it – Ringo is one of the most influential, most copied, most underrated and most beloved drummers of all time. It helps being in perhaps the most celebrated and popular band of all time, The Beatles. Unfortunately some people have not appreciated Ringo because he isn’t “technically” a good player. And they’ll use the argument that he couldn’t play to a click, he didn’t (supposedly) play on all of The Beatles songs, and that Paul McCartney said he wasn’t even the best drummer in The Beatles. I must admit I used to snub Ringo. But once I delved into his playing, his unique, left-handed on a right-handed kit style, his sloppy hi hat hits, his inventive drumming – I came to love him. I mean, Ringo has played some really cool beats over the years, ‘Rain’ being a great example. What about ‘Ticket To Ride’? ‘Come Together’? ‘The End’? ‘Helter Skelter?’ ‘Help?’ Of course, there are so many more great Ringo moments. What are yours? Leave a comment below.
Ringo still plays drums and tours into his 70s, wearing well for his age – and currently has drumming legend Gregg Bissonette, one of my favourite drummers of all time (and who is a Christian himself) playing in his band.
Gregg constantly talks up Ringo’s skills in interviews and mentions things such as: what about the “coolness” factor? Ringo looked great behind that beautiful Ludwig drum set! He had a big hand in making Ludwig drums famous worldwide. And let’s not forget Ringo also helped made Modern Drummer magazine famous by giving them the 1st interview he had done in a long time – back in 1982. Here’s a snippet from that interview:
MD: What were the highlights of your time in the Beatles, in terms of the band and your playing?
14th December 2015
My latest drum cover is the wonderful song that is ‘Oceans (Where Feet May Fail)’ – but first…at the bottom of this article I’ve put a fun link to something many of you will probably have seen before. It’s a video that has gone viral! My question is how did the worship leader manage to keep time?
Hope you enjoy my cover! *Skip to 1:33 if you just want to go straight to the drumming, but if not, please enjoy the visuals!
3rd December 2015
A slightly different post: earlier on this year I joined a new band, a blues trio outfit (with great Scottish musicians Simon Kennedy & Miroslaw Hodun), the Simon Kennedy Band. It’s been great fun gigging so far, and all of us are Christians. We enjoy the performance aspect and improvisation, and play in a lot of secular venues. Check out the video (before I had joined):
About The Simon Kennedy Band:
BIO – A GUITAR AND ORGAN DRIVEN BAND, IT WAS FORMED IN 2014 BY DUNDEE BORN GUITARIST SIMON KENNEDY. ENLISTING MIREK HODUN ON THE ORGAN THEY SET ABOUT WRITING AND PRODUCING THEIR DEBUT ALBUM MAKE UP YOUR MIND THEMSELVES WHICH WAS WELL RECEIVED BY CRITICS AND FANS ALIKE WITH BBC RADIO 2’S PAUL JONES SAYING THE BAND WAS “DESERVEDLY THE RECIPIENTS OF A GREAT DEAL OF PRAISE” AND THE INDEPENDENT BLUES BROADCASTERS ASSOCIATION VOTING IT THEIR ALBUM OF THE MONTH.
IN 2015 EDINBURGH BASED SESSION DRUMMER BRIAN MACLEOD WAS BROUGHT IN TO COMPLETE THE LIVE LINE-UP OF GUITAR, ORGAN AND DRUMS.
WITH THE SUCCESS OF THE DEBUT ALBUM THEY HAVE BEEN SOUGHT OUT TO PLAY MAJOR FESTIVALS SUCH AS THE ORKNEY BLUES FESTIVAL, PERTH’S SOUTHERN FRIED FESTIVAL AND GLASGOW’S MERCHANT CITY FESTIVAL. AT THE END OF THE YEAR THEY WILL ALSO BE PLAYING AT THE EDINBURGH BLUES CLUB, SCOTLAND’S BIGGEST BLUES CLUB, IN SUPPORT OF BIG JOE LOUIS.
WHAT PEOPLE HAVE SAID:
“Deservedly the recipient of a great deal of praise since the album came out”
Paul Jones BBC Radio 2
Blues Matters Magazine
“This is a solid debut album and deserves to be heard for its excellent sound qualities and stirring playing.”
Blues In Britain Magazine
“Cracking album this one”
Dave Watkins, Blues & Roots
(2014 British Blues Awards Independent Blues Broadcaster of the Year)
“Highly accomplished blues release” 5/5
Lins Honeyman, Broadcast Magazine
Paul Stewart, Pablo & The Blues Show
“Funky, defiant and triumphant, these gospel-tinged songs tackle the classic blues themes of faithlessness, hope and heartbreak in an unusually affirmative fashion. His commanding vocal presence is matched by his effervescent guitar.”
The Musician Magazine
The Independant Blues Broadcasters Association voted “Make Up Your Mind” their Album of the Month.
22nd September 2015
Here we are at the last blog post. I have really enjoyed writing them and I hope you might have been blessed too. I thought I would ﬁnish off with some general tips and helpful suggestions for playing drums in Church.
Get A Good Sound Out of A Cheap Drum Set
There a few good ways to get a good sound out of a cheap drum set, and it doesn’t have to cost your Church a tonne of cash. This video on YouTube is very helpful too.
Replacing seriously old drum heads on a well-used Church kit can make a world of difference. It can add that extra bit of warmth and tone, livening up the sound. I currently use the Evans 360 G2’s – coated. I love the warmth and sustain as well as the range of tuning they give. Learn and experiment with tuning drums. There are so many helpful videos on YouTube nowadays. The coated heads are also great for brush sounds.